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horanVi Painted Romance in Sonic Sepia Tones with ‘Before It Lasted’

With a title that instantly wraps itself around poetically introspective thought, horanVi’s second single, Before It Lasted, is as evocative as it is luxuriantly cinematic. Packaged in a neatly consumable 3:30 runtime, it delivers indie pop hooks with a delicate dusting of jazz sophistication, cushioned by neo-soul grooves and a rich palette of harmonic textures. It’s the kind of track that seduces attention from your serotonin-firing synapses.

Some artists perform; others create sonic alchemy. horanVi firmly belongs in the latter camp, rolling out the welcome mat to listeners who crave jazzy revelations of soulful scintillation that leave an inexplicable mark

Every note in Before It Lasted feels instinctively fluid, as the gilded tones become a tonic for the soul. The interplay of jazz chords and a soaring guitar solo ensures the composition doesn’t sit still, while the time signatures shift just enough to make the heart skip in time with the notes left unplayed. But the pièce de résistance? That belongs to Violet’s vocals—honeyed yet untamed, delivering a liberated performance that turns the track into an effortless catharsis.

With their forthcoming 10-track album on the horizon, horanVi continues to resist easy categorisation, pulling from jazz, rock, blues, and neo-soul without bowing to convention. All too often jazz musicians solely serve to flex their technical chops, but when horanVi cut close to the bone, they do it in a way that affirms the mind, body and soul.

After launching on Valentine’s Day, Before It Lasted is out now on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Intoku’s ‘the end beginning’ augments trip-hop to the epitome of intensity

Intoku wields intensity like a weapon in their latest single, ‘the end beginning’. The Bristol-based trio, known for their fusion of raw, emotive vocals, hybrid drumming, and synth-heavy atmospherics, channels leftfield intensity that transcends everything you’ve heard before.

Inspired by the weight of trip-hop’s pioneers but refusing to be bound by their blueprint, Intoku sculpts their own brand of unsettling visceralism—one that crashes into the senses with bone-rattling basslines and a rhythmic pulse that feels more like possession than percussion.

Sophie Griffin’s vocals drift through the shadows of the mix, their fragility balanced against production that builds with an almost cinematic volatility. An eerie pulse of reverb sets the stage before light fractures through the murk, and from there, every shift in momentum feels like a calculated shockwave. The progressive structure refuses to settle, keeping every new motif hypnotic enough to trap you in its current.

When the track reaches its peak, the intensity is relentless. Vulnerability is laced into every synth swell and drum strike, making it impossible to separate the human from the machine.

On record, Intoku leave a mark. Live, they’re the kind of act that would sear themselves into memory, dragging you under with them and leaving echoes of their sound reverberating for days.

‘the end beginning’ is out now on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

avOva arrested in their emotionally expansive downtempo electronica track, Indigo ft Nalarié

https://www.youtube.com/watch?v=fNTrdFWtiBY/

Let lush etherealism envelop your soul with the arcanely textured track, Indigo, from avOva, featuring Nalarié which transcends transcendence, reaching the epitome of tonal bliss and creating the perfect addition to your summer playlists.

Dream pop coalesces with trip-hopped downtempo beach house & sublime slices of pensively hued soul to orchestrate the ultimate soundscape for your bitter-sweet reflections; capturing the wistfully poignant side of nostalgia.

The single is a solace for anyone who has ever loved and lost…themselves in the process. It’s a stunning score, which will undoubtedly resonate with anyone looking for oceanic depths in electronica; Indigo couldn’t be more emotively expansive.

avOva, the electronic/downtempo outfit from Bristol, UK, set the bar high with their dreamily atmospheric debut soundscape. The haunting vocals perfectly complement avOva’s intricate production, adding scores of striking depth to the single that doesn’t just scratch at the surface of the human experience when capturing the essence of love, loss, and self-discovery.

Indigo will be available to stream on all major streaming platforms from June 21. If you can’t wait that long, head over to YouTube and stream the official music video for the full ethereal experience now.

Review by Amelia Vandergast

Simon Ewing serenaded through the eras in his acoustic indie folk triumph LULLABY

Simon Ewing’s latest single, LULLABY, artfully blends a spectrum of musical epochs with a mastery of guitar play that fans of folk and beyond will find irresistibly compelling. The track is a confluence of lo-fi charm and intricate guitar work that nods to The Maccabees’ Toothpaste Kisses while embedding a distinctly Americana vibe interlaced with blues’ soulful essence.

LULLABY won’t sing you to sleep; instead, it vibrates with life, signifying the Bristol-based troubadour’s knack for weaving narratives that affirm the sensibility of the soul. The song’s architectural simplicity in structure belies a complex, layered emotional resonance that hooks the listener from the first chord.

Ewing’s ability to synthesise swathes of genres into a seamless, flowing piece shows not just versatility but a deep reverence for the roots of each genre. Each note reflects a rhythmic exploration that feels both classic and innovative, making LULLABY a testament to Ewing’s ability to transcend traditional storytelling through music.

If Elliott Smith’s songs had veered away from melancholy towards this vein of succinct sweetness, they might have touched the same bright corners of the soul that Ewing reaches with this track.

Stream LULLABY on SoundCloud and YouTube.

Review by Amelia Vandergast

Bristol’s Most Strident Troubador, Alex Comaish, Augmented the Ultimate Indie-Folk Anthem with ‘Brother’

Alex Comaish’s latest single ‘Brother‘ is a poignant narrative wrapped in an augmented fusionist production that splices jangly indie pop with warm echoes of Americana, transmits the essence of college radio rock, and throws back to the 90s Britpop era while following in Billy Bragg’s footsteps. The crisp and unpretentious production allows the song’s emotional core and Comaish’s raw talent to shine through and illuminate the airwaves with affectionate fervour.

This Bristol-based troubadour brings a fresh sincerity to the genre as he elucidates that brotherly bonds may not always tie you to the perfect person, but those connections are worth their weight in gold. His strident vocal performance is an energetically affecting testament to the unspoken love and unbreakable ties between siblings.

The vignette behind the song is as compelling as the track itself. Comaish’s lyrics, penned in the throes of adventure, are imbued with genuine gratitude and affection that’s often left unsaid in the hustle of daily life.

As the first of a series of releases planned for the year, ‘Brother’ sets a high bar. It’s a track that not only showcases Comaish’s songwriting prowess but also his ability to connect with his audience on a deeply personal level.

Brother was officially released on March 1st; stream the single on Spotify.

Review by Amelia Vandergast

Alvinos Zavlis delivered sensually dark catharsis with his moody pop meets dark trip-hop mash-up, I Shouldn’t

The Cyprian Bristol-based artist and producer, Alvinos Zavlis, is in his experimental element in his fourth alt-electronica LP, After Sex All Animals Are Sad. With an album title that compels you to sonically explore the contents through eccentrically offbeat name alone, the bar is already set high. But evidently, Zavlis knows exactly how to transcend expectation and temporal boundaries with his dark syntheses of trip-hop, alt-pop, and artfully manifested electronica.

Sitting on the leftfield of Pop, one of the standout singles, I Shouldn’t, featuring Sae, is an ethereally hypnotic extension of the contemporary moody pop trends fused with 90s trip-hop that glitches and oscillates in the same vein of Massive Attack and Portishead.

The alchemic blend carries just as much cultivation and evidence of evocative rhythmic control as the latest releases from Chelsea Wolfe, but the way Zavlis locked into the collaborative chemistry between him and Sae allowed the release to resound beyond compare. The sensually dark catharsis is superlative evidence of how honed his sound has become after he took a hiatus and returned with fresh fervour.

In his own words:

“The main idea of the album is how the chase for perfection in your artistic craft can hinder personal relationships, health, and financial stability.”

For the full Alvinos Zavlis experience, stream After Sex All Animals Are Sad in full by heading over to Spotify.

Review by Amelia Vandergast

wych elm gave grunge a place on 21st-century airwaves with their pitchfork-permeated single, ‘Burnt at the Stake’

Wearing their Angel Olsen and Courtney Barnett influences on the sleeve of their guitarwork and their devil-may-care vocal lines, the Bristol-based trio, wych elm, gave their latest psychedelically sludgy feat of alt-indie, Burnt at the Stake, as much mainstream appeal as their hits that have surpassed the million stream mark.

The winding carnivalesque-with-macabre-glamour melodies are carved through by the angular syncopated notes to ensure the tension is succinctly taught before the breaks into the choruses that blister with catharsis.

Burnt at the Stake is the first single to drip from the forthcoming EP, Field Crow, which will drop on November 13th. Make sure wych elm is on your radar for the deliverance of it and in your gig calendar for when they embark on their UK tour from the same date.

Burnt at the Stake was officially released on September 30th; stream it on all major platforms via this link.

Review by Amelia Vandergast

Loulita Gill shared a message of resilience and hope in her classic pop score, Silenced

The singer-songwriter Loulita Gill oozed classic pop class with her recently released single, Silenced, which goes back to the darkest and most vulnerable chapter of her life to offer consolation and solidarity to survivors of abuse.

Few people will ever know the strength needed to keep your head high after you have been subjected to abuse by the people who brought you into the world to cherish and protect you. After the unveiling of this arcanely orchestral score, a deeper sense of empathy will be ingrained in anyone who has never had the crushing experience of vulnerability being exploited first-hand.

Her celestial vocal range, which effortlessly coalesces with the minor piano keys and swells of the classical strings, opens a doorway to compassion. We certainly weren’t coloured surprised when learning the Bristol-based singer’s career has been decorated by accolades. Her music regularly features on global Christian radio stations, GODTV and BBC Radio Bristol.

Watch the official music video for Silenced, which premiered on September 22nd on YouTube.

Review by Amelia Vandergast

Join Harry Bone in his ambient retro synthscape, Journey

After gaining a background in classical music and a conservatoire degree in orchestral percussion production, the Bristol, UK-based producer, composer, and mixing and mastering engineer Harry Bone started to take a more experimental and lo-fi approach to his sound after discovering that almost anything can serve a musical purpose.

His 2023 ambient album, Ambi, featuring the odyssey voyage of a single, Journey, is a cathartic exhibition of his freshly rendered explorative talents. The reverb-lavish keys weave cinematic melodies while still delivering a chill synthy lo-fi smorgasbord of nostalgic alleviation.

The single was constructed to depict the journey from naval-gazing self-pity towards gratitude and positive affirmative action. By euphonically visualising a trip through the woods while allowing elements of nature to coalesce with memories that still evoke positive emotion, Bone succeeded in crafting a consoling score that will set your imagination alight.

If you’re always on the hunt for soundscapes that facilitate tranquil mental repose, don’t hang around waiting to discover the quiescent gems in Harry Bone’s discography.

Stream the Ambi album on SoundCloud.

Review by Amelia Vandergast

Bristol singer-songwriter Dolly Doo put the soul into ephemeral connections with ‘Aint Nothing Serious’

Hook-up culture may get a superficial rep, but as the siren of soul, Dolly Doo, alludes to in her latest single, Aint Nothing Serious, no-strings-attached arrangements can be the ultimate ephemeral remedy.

The jazzy RnB pop amalgam is an extension of the Bristol-based singer-songwriter’s limitless genre fluidity; whichever stylistic territories her harmonically ethereal vocal lines and richly Elysian instrumentals drift into as she is following the muse, one thing remains a constant, the grace with which she brings to life her complex metaphorical concepts.

Her songwriting style and the genre pools she dips her superlative toe into evoke a certain amount of nostalgia, but there is just enough contemporary light bleaching her harmonious hits to give her sound swathes of contemporary appeal.

With a debut EP in the pipeline and performances at Boomtown and Bristol Harbourside Festival behind her, she is definitively one to watch.

Aint Nothing Serious will be available to stream from July 14 on Spotify.

Review by Amelia Vandergast