Browsing Category

Bristol

Bristol’s Most Strident Troubador, Alex Comaish, Augmented the Ultimate Indie-Folk Anthem with ‘Brother’

Posted on 7 March 2024

Alex Comaish’s latest single ‘Brother‘ is a poignant narrative wrapped in an augmented fusionist production that splices jangly indie pop with warm echoes of Americana, transmits the essence of college radio rock, and throws back to the 90s Britpop era while following in Billy Bragg’s footsteps. The crisp and unpretentious production allows the song’s emotional core and Comaish’s raw talent to shine through and illuminate the airwaves with affectionate fervour.

This Bristol-based troubadour brings a fresh sincerity to the genre as he elucidates that brotherly bonds may not always tie you to the perfect person, but those connections are worth their weight in gold. His strident vocal performance is an energetically affecting testament to the unspoken love and unbreakable ties between siblings.

The vignette behind the song is as compelling as the track itself. Comaish’s lyrics, penned in the throes of adventure, are imbued with genuine gratitude and affection that’s often left unsaid in the hustle of daily life.

As the first of a series of releases planned for the year, ‘Brother’ sets a high bar. It’s a track that not only showcases Comaish’s songwriting prowess but also his ability to connect with his audience on a deeply personal level.

Brother was officially released on March 1st; stream the single on Spotify.

Review by Amelia Vandergast

Alvinos Zavlis delivered sensually dark catharsis with his moody pop meets dark trip-hop mash-up, I Shouldn’t

Posted on 19 February 2024

The Cyprian Bristol-based artist and producer, Alvinos Zavlis, is in his experimental element in his fourth alt-electronica LP, After Sex All Animals Are Sad. With an album title that compels you to sonically explore the contents through eccentrically offbeat name alone, the bar is already set high. But evidently, Zavlis knows exactly how to transcend expectation and temporal boundaries with his dark syntheses of trip-hop, alt-pop, and artfully manifested electronica.

Sitting on the leftfield of Pop, one of the standout singles, I Shouldn’t, featuring Sae, is an ethereally hypnotic extension of the contemporary moody pop trends fused with 90s trip-hop that glitches and oscillates in the same vein of Massive Attack and Portishead.

The alchemic blend carries just as much cultivation and evidence of evocative rhythmic control as the latest releases from Chelsea Wolfe, but the way Zavlis locked into the collaborative chemistry between him and Sae allowed the release to resound beyond compare. The sensually dark catharsis is superlative evidence of how honed his sound has become after he took a hiatus and returned with fresh fervour.

In his own words:

“The main idea of the album is how the chase for perfection in your artistic craft can hinder personal relationships, health, and financial stability.”

For the full Alvinos Zavlis experience, stream After Sex All Animals Are Sad in full by heading over to Spotify.

Review by Amelia Vandergast

wych elm gave grunge a place on 21st-century airwaves with their pitchfork-permeated single, ‘Burnt at the Stake’

Posted on 11 October 2023

Wearing their Angel Olsen and Courtney Barnett influences on the sleeve of their guitarwork and their devil-may-care vocal lines, the Bristol-based trio, wych elm, gave their latest psychedelically sludgy feat of alt-indie, Burnt at the Stake, as much mainstream appeal as their hits that have surpassed the million stream mark.

The winding carnivalesque-with-macabre-glamour melodies are carved through by the angular syncopated notes to ensure the tension is succinctly taught before the breaks into the choruses that blister with catharsis.

Burnt at the Stake is the first single to drip from the forthcoming EP, Field Crow, which will drop on November 13th. Make sure wych elm is on your radar for the deliverance of it and in your gig calendar for when they embark on their UK tour from the same date.

Burnt at the Stake was officially released on September 30th; stream it on all major platforms via this link.

Review by Amelia Vandergast

Loulita Gill shared a message of resilience and hope in her classic pop score, Silenced

Posted on 8 October 2023

The singer-songwriter Loulita Gill oozed classic pop class with her recently released single, Silenced, which goes back to the darkest and most vulnerable chapter of her life to offer consolation and solidarity to survivors of abuse.

Few people will ever know the strength needed to keep your head high after you have been subjected to abuse by the people who brought you into the world to cherish and protect you. After the unveiling of this arcanely orchestral score, a deeper sense of empathy will be ingrained in anyone who has never had the crushing experience of vulnerability being exploited first-hand.

Her celestial vocal range, which effortlessly coalesces with the minor piano keys and swells of the classical strings, opens a doorway to compassion. We certainly weren’t coloured surprised when learning the Bristol-based singer’s career has been decorated by accolades. Her music regularly features on global Christian radio stations, GODTV and BBC Radio Bristol.

Watch the official music video for Silenced, which premiered on September 22nd on YouTube.

Review by Amelia Vandergast

Join Harry Bone in his ambient retro synthscape, Journey

Posted on 7 September 2023

After gaining a background in classical music and a conservatoire degree in orchestral percussion production, the Bristol, UK-based producer, composer, and mixing and mastering engineer Harry Bone started to take a more experimental and lo-fi approach to his sound after discovering that almost anything can serve a musical purpose.

His 2023 ambient album, Ambi, featuring the odyssey voyage of a single, Journey, is a cathartic exhibition of his freshly rendered explorative talents. The reverb-lavish keys weave cinematic melodies while still delivering a chill synthy lo-fi smorgasbord of nostalgic alleviation.

The single was constructed to depict the journey from naval-gazing self-pity towards gratitude and positive affirmative action. By euphonically visualising a trip through the woods while allowing elements of nature to coalesce with memories that still evoke positive emotion, Bone succeeded in crafting a consoling score that will set your imagination alight.

If you’re always on the hunt for soundscapes that facilitate tranquil mental repose, don’t hang around waiting to discover the quiescent gems in Harry Bone’s discography.

Stream the Ambi album on SoundCloud.

Review by Amelia Vandergast

Bristol singer-songwriter Dolly Doo put the soul into ephemeral connections with ‘Aint Nothing Serious’

Posted on 14 July 2023

Hook-up culture may get a superficial rep, but as the siren of soul, Dolly Doo, alludes to in her latest single, Aint Nothing Serious, no-strings-attached arrangements can be the ultimate ephemeral remedy.

The jazzy RnB pop amalgam is an extension of the Bristol-based singer-songwriter’s limitless genre fluidity; whichever stylistic territories her harmonically ethereal vocal lines and richly Elysian instrumentals drift into as she is following the muse, one thing remains a constant, the grace with which she brings to life her complex metaphorical concepts.

Her songwriting style and the genre pools she dips her superlative toe into evoke a certain amount of nostalgia, but there is just enough contemporary light bleaching her harmonious hits to give her sound swathes of contemporary appeal.

With a debut EP in the pipeline and performances at Boomtown and Bristol Harbourside Festival behind her, she is definitively one to watch.

Aint Nothing Serious will be available to stream from July 14 on Spotify.

Review by Amelia Vandergast

Chandra’s Lighters to the Sky is a pop punk-hooked hit for the dreamers

Posted on 2 May 2023
https://soundcloud.com/listentochandra/lighters-to-the-sky/s-JjGxeKmioBv?si=ee8aab36962d40619a6fa6a62f049fe9&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Holding your lighters in the air at rock shows might be a slightly nostalgic way to signify how much a hit has touched your soul, but it’s a pretty fitting parable for the vintage rock aesthetics in Chandra’s latest single, Lighters to the Sky, which will throw you right back to the early 00s.

If you can imagine what Glen Hansard’s single, Falling Slowly, would sound like if it was boldly augmented with pop-punk hooks, you’ll get a great idea of the songwriting chops the Bristol, UK-based solo artist possesses.

Lyrically, Lighters to the Sky is an ode to the big dreamers whose visions are often met with cynicism from people with smaller ambitions. It is a stunning reminder that no one will ever be able to see the future you’re painting in your mind until you reach your respective top and exhibit it all for all to see.

Lighters to the Sky will officially release on April 28. Stream it on SoundCloud.

Review by Amelia Vandergast

Miss Kill sharpened their knives in their evocatively jagged alt-90s revival EP, Don’t Tell Me Twice

Posted on 18 September 2022

Few artists create a route back to the 90s as creatively as the Bristol sister duo, Miss Kill. Their debut EP, Don’t Tell Me Twice, hits the sonic Seattle mark just as well as it channels the emotional energy of the golden era of raw, sludgy anthems.

I’ve seen countless bios attesting to the influence of Hole, Pearl Jam and Placebo from artists too evocatively inadept to revive that clawingly consuming candour, not Miss Kill. Even the non-lexical vocals are a skeleton key to insecure soul. Each track on the 5-track release affirms the power of their tenaciously heart-breaking songwriting talent that feels so viscerally comforting in a time of such little relative comfort.

One of the lead singles from the EP, All You Gotta Do, kicks up a tumultuous storm of frustration around artful alt-rock instrumentals while the vocals unfalteringly stretch across the melancholic landscape that deserves to be firmly implanted on the playlists you turn to in protest to the exhausting unfulfillment of life and everything it has to throw at you.

Don’t Tell Me Twice was officially released on September 16th. Sink into it on Spotify.

Review by Amelia Vandergast

 

Bristol’s Dolly Doo just wants that one tender kiss to go so slow and seductive on ‘Medusa’

Posted on 24 March 2022

As she tries not to stare and let her heart open too far wide again and get let down like last time, Dolly Doo is quite sensational on this kiss-filled new single all about wanting to be close to that sweet crush on ‘Medusa‘.

Dolly Doo is a Bristol, UK-based indie alternative artist who has the kind of vocal ability and lyrical awareness that sends your imagination into a whole new galaxy.

”Drawing on metaphors lyrically, Dolly Doo connects stories of the past with the present that evoke feelings of nostalgia, loss and heartbreak in a contemporary light.” ~ Dolly Doo

Sending her potential new lover a heartfelt message that is heard loud and clear, Dolly Doo is unquestionably immaculate with a wonderfully electric display that will catch your attention and have your tender lips tingling with anticipation.

‘Medusa‘ from Bristol, UK-based indie alternative artist Dolly Doo, is a superb single that is one of the most sensual gems you might hear all year. This is the message of wanting that one sweet kiss that might open up so many doors, to that romantic night that could change everything and cause sparks to fly all evening. With a sizzling vocalist on fire who seems to only be getting better after each release as her self-awareness grows – this is an ear-shaker beyond comprehension – that will possibly have you blushing as you dream about that passionate moment you have desired forever.

Listen to her wonderful new creation on Spotify and check out her stunning IG for more.

Reviewed by Llewelyn Screen

Irish RnB artist Sarah O’Moore returns with a special single about keeping your inner peace on ‘All In My Head’

Posted on 16 March 2022

With a vocal ability that reminds one somewhat of the late great Amy Winehouse, Sarah O’Moore shows us all the way into how she is feeling in this strange world on her latest single that is named, ‘All In My Head‘.

Sarah O’Moore is an Irish RnB/soul indie singer-songwriter who grew up listening to and being inspired by legends such as Nina Simone, Otis Redding, Sam Cooke, Bob Dylan, Leonard Cohen and Van Morrison.

”Borrowing from her Corkonian roots, Sarah’s songs carry the dark underbelly of societal demise and her hybrid fusion of rich lyricism and melodic roots make her a touchstone for current times.” ~ Sarah O’Moore

With her debut EP ‘social paralysis‘ due for a release later on in 2022, Sarah O’Moore is at her best here with a glorious single that is projected with so much class and features a beat that is perfect for her style. There is nothing rushed here, as the energy transmits a gloriously calm flow that has you tanning in the rays of such excellence throughout this wonderful new release.

‘All In My Head‘ from Bristol, UK-based RnB/soul artist Sarah O’Moore, sends us into a whole new world with vocals so dreamy you might feel like closing your eyes and going into a better place. In a story all about knowing that you need to block out the noise of the small-minded who love to finger point, she sings with such genuine care and love. This is the kind of song that interlaces your consciousness from the cold into the warmth, from someone rather uniquely brilliant who needs to be cherished forever. A true underground Queen awaits our support.

Hear this new single on Spotify and support her creative energy on IG.

Reviewed by Llewelyn Screen