Lewis Shepperd showed us the true extent of his versatility with the release of his latest single, Take My Hand, which obliterates the boundaries between indie, pop, rock and hip hop. The breaking artist hasn’t idled since we heard his last single, Follow You, which delivered a Kings of Leon style of cool and proved that his soulfully resonant talent should be as revered as Winehouse’s. Since then, he’s performed at the Isle of Wight Festival in 2021, received plenty of BBC airplay and garnered critical acclaim from across the board.
With rap bars mixed with his energised indie-rock vocals atop the instrumentals that continually shift through melodic grooves, tension-fraught build-ups and pop-punk style breaks, Take My Hand is a gift that keeps on giving.
As the garagey distorted rock licks towards the outro prove the value in the perpetual solidarity by depicting the chaotic state of the world, the lyrics remind you how sweet it is to have stunning souls around you. If that doesn’t hit the spot, you may want to check if you’ve still got a pulse.
Take My Hand is now available to stream on Spotify.
Taken off his latest album called ‘Help‘, ENIGMAR plants the seed in our minds that shall assist us in getting to those much-wanted ‘Dreams‘.
ENIGMAR is a South London-based indie UK rap artist. He makes a vocally-stimulating blend of compelling music that guides you to a better mindset that helps you succeed in life.
Showing us his well-constructed delivery that is an enjoyable listen from start to finish, ENIGMAR raises the bar and shows us the way forward. In a dog-eat-dog world where things seem so gloomy and negative a lot of the time, this is a smart rapper who brushes off the standard-lowering distractions and brings in only positive words for us to learn from.
‘Dreams‘ from the South London, UK-based indie rapper ENIGMAR, is a bass-boosting encounter that takes you into a better position than before. He raps with so much conviction and inner determination, as he flows with a real certainty that is such a pleasure to witness. This is a track for anyone who is feeling down and who actually wants to get into a better place in your soul, as you grab hold of your destiny without anyone else telling you what to do.
Immerse yourself into this beat-filled track on Spotify and see more via the IG music channel.
Slamming the bass down with expert effect as he brings us a track that has been dedicated to a true legend who has sadly been lost, Bitvert takes us into the proper underground to see what is left inside on ‘Residue‘.
Bitvert is a London, UK-based indie electronic music producer and live performer who makes a truly expert range of ear-sizzlers beyond comprehension for most that shall take you to a place back in time when the world wasn’t so broken.
This is a fine addition to our ravenous ears and is a fantastic track to say thanks to the Windsor, UK-based Andrew Weatherall, the British musician, DJ and record producer known for helming Primal Scream’s Screamadelica, who tragically passed away due to a fatal pulmonary embolism earlier in 2020.
”This track is dedicated to Andrew Weatherall. Patron of the underground. Rest in beats.” ~ Bitvert
‘Residue‘ from the London, UK-based indie electronic music producer and live performer Bitvert, is a roaring track that is edged with that truly hardcore sound that is so rare these days. He missiles in with a swarming bounce that takes you into a whole new world, as the speakers shake in anticipation for the next move. This is a sumptuous effort that shall have your whole soul feeling rather intrigued – and filled with that vintage sounding feel – that is a glorious listen for all fans of this genre.
Hear this bass-tumping new single on Bandcamp and see more via the IG music page.
With his trusty electric guitar, silky cello, spark-filled electronic synths turned up to the maximum and featuring a catchy chorus that was highly influenced by T-Rex, Clifford wonders why he can’t be with his lover tonight as he really needs to hold them close on ‘I’m So Bored‘.
Clifford is a dual USA/UK citizen, fluent English, French and Arabic speaker, who is based in busy Maryland and expertly composes a well-crafted compound of alt-rock and electronic music.
”I’ve always thought to write a good song you have to tell a story through lyrics. But with this song, I realized it would be better told using mostly instrumentals instead.” ~ Clifford
After previously teasing us on ‘Renaissance Fam’ from April 2021, Clifford has our thoughtful minds in a complete flurry of thoughtfulness with a vocally-impressive performance. The bass-booming production has you feeling alive and ready for anything, as you wrap your mind into the story about a highly creative soul – who just wants to express himself with his partner for tonight – as he feels rather lonely and heartily craves that sweet touch.
‘I’m So Bored‘ from the Maryland-based alt-rock/electronic solo artist Clifford, is a track that evokes memories of another time in the world that you just can’t place. He sings with such a surging and potent swarm of electricity that has your heart beating like no other moment you can remember. This is the type of release to play on full blast when you just need to dance around by yourself, as you miss your lover terribly.
Cardiff’s most visceral powerhouse, Columbia, created the ultimate embrace-the-chaos indie rock track with their latest single, Glory People. As sonically powerful as the high-octane psych-tinged rock hit is, that scarcely comes close to the stadium-filling energy that transpires through Columbia’s advocation of making the best of what we have.
So often, people get stuck in lament because their imagination can create better lives than the one reality puts before them; Columbia broke that negative feedback loop by serving the anthemic reminder that adversity isn’t the end of the world; it is a given. Just as the Stone Roses were a sign of the times, as are Columbia with their indie rock sound that aspires to unify through dystopic 2021 ennui.
Glory People was officially released on December 3rd, 2021. You can check it out for yourselves via SoundCloud.
Way Too Good for Me is the latest punchy, alt-rock track from the prodigal pop-punk artist, Her Burden. Any fans of On the Rope by Rocket from the Crypt will undoubtedly find themselves equally as energised by the tumultuously choppy rhythms and snarled lyricism.
With the vocals bordering on pop-punk theatrics and the sweet humility in the lyrics, it is impossible not to get wrapped up in this high-octane hit which will officially release on December 3rd. Way Too Good for Me is one of the rare tracks that is actually worthy of being called an earworm. By default, Her Burden is easily one of the best pop-punk powerhouses the UK has heard in the last decade. Get them on your radar.
If you thought you’d heard it all when it comes to post-punk revivals, you’ll be pleasantly surprised by the latest EP, ep3: The English Way, from the Rec. Syd Barrett aside, rock-inclined textures are rarely as hypnotically arcane as the transcendental tones in the EP, especially in the lead single, nettles and dock leaves.
In 1981, the Shropshire-based founders of the Rec pioneered their original band, the Assassins, who got a taste of fame and found John Peel’s favour before calling it quits. 30 years later, the duo is split between London and LA, but their transatlantic distance didn’t dilute the chemistry between their melodies. With their freshly formed sound, sonic snapshots of the past tie into the present while colliding with Britishly bleak musical landscapes. It’s so much more than a personal nostalgia-fest. It’s an indulgent time capsule to an era that will be forever revered in musical history.
nettles and dock leaves is now available to stream on Spotify.
Sam Harris may have spun heads when he declared that no one has free will, but the spiritual alt indietronica outfit, Alchemy 3, is here to screw them firmly back on again with their stellar slice of multicultural ambient electronica, Trust in the Process.
2021 has shown us that everything and everyone is connected and every action has an equal and opposite reaction, but even the impious in denial of a higher power can find comfort in this psychedelically wrapped hit by the London-based trio whose sonic influence spans across decades, and their lyrical inspiration goes back even further. The poetically meta lyrics flow through the ethereally commanding vocals and resonate like mantras around the tonal bliss spilling from the instrumentals. It’s a stunning release from a collective with equally as stunning artistic motives. We can’t wait to hear what will be next from Alchemy 3.
Trust in the Process will be available to stream from December 4th; you can check it out for yourselves by heading over to SoundCloud.
East London rap artist, Muzuri has garnered plenty of hype with his debut release, 0127, which premiered on BBC Radio Essex on October 5th before officially releasing on October 15th.
The French rapper and songwriter takes influence from the likes of Drake, Kendrick Lamar and Static Major, but he left plenty of room for his own catchy sonic style in his debut which announces his arrival to the music scene and creates a vivid vignette of his life as an artist and hedonist.
With the arresting bounce of the snappy beats and the reverb around them, it is impossible not to get hooked into the atmosphere of 0127 which merges French and English hip hop culture. It’s a stellar track that succeeds in establishing Muzuri as one to watch.
Cambridge, UK-based alt solo artist, Francis Botcherby, has been honing in on his sound for over a decade; his music has featured on BBC Cambridgeshire amongst many stations. His most popular music video to date has racked up over 100,000 streams, and he has counted plenty of other successes in between.
His latest single, Parliament of Wolves, carries the same protestive lyrical edge as Billy Bragg, but stylistically, Botcherby brought the sound of Seattle to UK shores. With bassline growls that will evoke nostalgia for Soundgarden’s grungy licks and enigmatic vocals that carry a touch of the Mike Patton magic, there’s a fair amount of nostalgia but there is something incredibly refreshing about his shimmering guitars and grooving rhythms that throw further back to the days when Hendrix reigned supreme.
Francis Botcherby’s single Parliament of Wolves was officially released on December 3rd. You can check it out for yourselves via SoundCloud.