Examining the reason he was cut out rather easily when his heart was so full and happy, Rins4 reflects on the moment when he knew it was over for good on his latest single about getting over a ruptured relationship with ‘Soul Cry’.
Rins4 is a Melbourne, Australia-based, Nigerian-born rapper-songwriter who started freestyling in High School and has never looked back.
”Rins4’s songwriting is materialised directly from his everyday experience.” ~ Rins4
Gliding through the track like a truly promising musician who hasn’t even scratched the surface of what is possible, Rins4 sends the world a lyrically astute single to ponder deeply and wonder reflectively inside.
‘Soul Cry‘ from Melbourne, Australia-based indie rapper Rins4 is a catchy new track from a man who has felt the wicked emotional wrath of being tossed away like yesterday’s newspaper. There is a fiery intensity in easy-to-hear abundance that will stir your romantic senses alive to when they were burned away so cruelly, by someone who felt compelled to discard you so quickly.
Getting over that lover who left you alone without cause is always one of the toughest emotions to get over.
Listen up to this new single on Spotify and see more via the IG music page.
With a vocal timbre as smoky as the bluesy RnB groove pockets, The South Australian soul singer, Bree Gregory, is the epitome of seductive soul in her debut single, Only You.
Inspired by contemporaries such as Black Pumas and Erika Badhu and the icons of soul, her soulful love letter fuses nostalgic warmth with cutting style while delivering an open invitation to drink in the highs of affectionate intoxication that ebb and swell through the soundscape.
By the time the outro rolls around any sense of pretence or restraint tears away through the intensity of Gregory’s strident vocal dynamism. So yeah, it is one hell of a debut from one exceptionally talented artist. We can’t wait to hear what follows.
Only You will officially release on July 1st; you can hear it for yourselves by heading over to SoundCloud.
Taken from his brand new 11-track album called ‘Drive All Night‘, Jake George is at his illumination-filled best on the deep thinking new single about that vivid journey beyond the present with ‘Your Ghost‘.
Jake George is a Melbourne, Australia-based alternative psychedelic funk/rock solo singer-songwriter, music producer, and sound engineer.
Returning with a song that should be in all of our playlists when we need some true introspection, Jake George takes us back to a time that we have all possibly hidden away inside a locked cupboard. Lifting us into a whole new world that seems to strike your soul with that feeling – which is so hard to explain – this is a delicately emotional release made with so much love.
‘Your Ghost‘ from Melbourne, Australia-based alternative psychedelic funk/rock artist and music producer Jake George is the type of single you play loud when you are floating in that deep reflective state of mind. He performs with a realness that is so rare these days and takes us into a better place and time. Vocally advanced and with so much deepness, this is a track that will have your heart beating so much faster than before as you delve through your darkest emotions.
Finding your way will take as long as it needs to until you are conclusively ready for the next step.
Check out this new single on Spotify and see more via the IG.
After showing us that wonderfully real debut single about true feminity with ‘To Be a Girl’, Tyla Jay projects that genuine compassion to anyone who has dealt with distressing heartbreak that can crush a cheery soul into pieces with ‘New Territory‘.
Tyla Jay is a 21-year-old Byron Bay, Australia-raised, Sydney, Australia-based indie pop singer-songwriter who has that rare class you can’t help but admire.
”Surrounded by music from a very early age, I have been singing and performing since I was 12 years old.” ~ Tyla Jay
Guiding us through the stream of tears that don’t seem to stop, Tyla Jay sings with such tenderness and care that is truly outstanding on so many levels. She controls her vocals with gorgeous skill and shall take your mind away into a dreamy state, with seemingly effortless ease.
”About adjusting to life post break up. It was inspired by watching someone close to me go through, honestly, just a really difficult and sad time. I wanted to capture the individual’s journey whilst processing that unique type of grief, how it can make you become someone you don’t even recognise.” ~ Tyla Jay
‘New Territory‘ from the London, UK-born indie pop singer-songwriter Tyla Jay is one of the kindest singles on any playlist right now. She shows us that things will get better even if it seems like the pain will last forever. Time will heal all wounds and it will be hard, but it shall pass, but only when you are ready.
Healing your sad heart through your own self-empowerment is the best feeling of freedom, after all.
Listen up to this superb new single on Spotify and see more on IG.
Ahead of the release of her third LP, the Melbourne-based singer-songwriter, multi-instrumentalist and producer, Laraland has unveiled the soul in her latest seductive jazz-pop serenade, In the Morning, featuring bassist Nama.
They say a picture is worth a thousand words. ‘They’ have never succumbed to the succinctly revelatory lyrical style of Laraland. “In the morning you won’t know my name but I’m the same” perfectly encapsulates the hangover from the cocktail of alcohol, fleeting affection and amicable rejection. At least the love affair with this loungey jazz revival is built to stand the test of time.
With all the timeless class of Ella Fitzgerald nestled up against the modernist resonance in the groove-deep production, easy listening just became infinitely more arrestive. Voices like this don’t emerge every day; Laraland is notably a golden souled diamond in the superficial rough. Get her on your radar.
In her own words, here is what Laraland had to say about her latest single,
“In the Morning was written during another long lockdown in Melbourne in late 2021. It reminisces on the idea of being able to go out and meet new people at a bar, club or anywhere the night takes you. I am drawing on the idea that sometimes you form a connection with a stranger in a bar and want it to last longer than its bitter-sweet one-night expiry.”
In the Morning will officially release on June 20th. You can hear it for yourselves via Spotify.
Interest in the LP format may have waned in recent years. If anyone can make a case for them in 2022, it is the Sydney singer-songwriter Robbie Maroon, with his riotously eclectic blend of funk, pop, RnB and rock in his third album, Reckoning.
The opening single, The Fighter,doesn’t set the tone for the album that throws everything from soulful ballads to rock anthems to groove-led jams. Instead, it throws you head-first into the captivating energy and expressive soul that Reckoning was created with. The consistently evolving nature of the release never allows you to get complacent with the unpredictable transitions in tone, style and lyrical influence. Yet, each visceral piece of the puzzle binds together seamlessly.
After the early Faith No More meets Go West opener, the album careers into funkier and playfully synthy territory with Track 2, Cyberlovestory, which will resonate with everyone who had the displeasure of experiencing the surrealism of dating during the lockdowns. Crafting the track in the form of an 80s synthwave love song was cunningly clever. I think the extent of the ridiculousness of the past few years finally just hit me with its full force.
After two infectiously protestive tracks, in track 3, Maria, Maroon delivers the indie funk-pop ballad, which celebrates the sanctuary that only certain people can open the door to. The upraising vocal layering, Men at Work-reminiscent horn stabs, and the sticky sweet melodious essence is enough to make you pick up your phone and tell your favourite person you love them.
Track 4, Rewind, is the perennial soul-pop earworm of the album that gives you a view into just how much command the Prince-inspired artist has over funk-bridled rhythm. From rap bars to vocal lines that would give Seal’s soul a run for its impassioned currency, the vocals stick to your synapses like superglue.
Track 5, My Love, allows Maroon to wear his James Brown and George Michael influences on his sleeve through the slick-with-salacious-funk-disco-grooves. The hand claps against the Nile Rodgers-Esque chops bolster the nostalgic euphoria, while the smooth vocals and equally as smooth lyrics scribe Maroon’s unrelentingly sonic signature.
With track 6, Falling out of Love, Maroon proves that love goes as quickly as it comes in quick to burn love affairs before he grooves into the striking funk aesthetics of Stand. Track 7 gives plenty of limelight to the female backing vocals that raise the energy throughout the album with their shimmering old-school soul.
Track 8, I Won’t Be Doing That, leaves a similar question springing to mind as Meatloaf’s I Won’t Do That. The intriguing ambiguity in the rock-licked track grips onto grooves reminiscent of Hall & Oats, and there is plenty of room for the unpretentiously virtuoso solos. Strangely, they amplify the sense morality mystery while you wait for more clues.
In Track 9, Maroon is out of his funk in the harbingering 80s rock title single, which grieves the normalcy that forgot to get a return ticket after the pandemic. I can quite honestly say that listening to The Reckoning was one of the most vindicating and affirming aural experiences I’ve indulged in this year. While the mainstream media keeps trying to sell us fear and hate, the masses find new brands of tribalism, and everyone secretly loses their sanity in the privacy of their bedrooms; it is impossible to find a voice of reason. Thank god one exists on my playlists now.
I’ve had the pleasure of reviewing the closing single, Take a Bow before, but my tear ducts still opened the floodgates to the ode to Prince. Simultaneously a celebration of his legacy and an illustration of the impact that inspirational people have on us, the subtle and quiescently yearning single is a tribute like no other. Hell, it’s a ballad like no other.
Knowing that she needs to progress in her life while currently feeling like she is stuck like there is glue on her shoes, Siobhan Cotchin is at her honest best as she navigates this voyage that has no training manual with her new single, ‘Growing Pains‘.
Siobhan Cotchin is a 21-year-old Perth, Western Australia-based indie singer-songwriter who performs with the kid of vocal dreaminess that will spark your imagination alive.
“‘Growing Pains’ is a super personal song about the realities of growing up. It’s about wanting to avoid all responsibilities of adulthood and the anxieties I think we’ve all faced at some point about who we are and where we fit in the world. It’s kind of an ode to my anxiety and the way it makes me act by ‘ghosting my friends’ and just generally avoiding people. I hope with ‘Growing Pains’, people can find solace and comfort in the lyrics and know it’s completely okay to be scared of the future and not know who you are. It’s all part of being human!” ~ Siobhan Cotchin
Mirroring the feelings of so many of us who have felt the wrath of the world bite through the walls of our precious hope, Siobhan Cotchin is rather outstanding here with a marvellous creation that will have you thinker deeper about current predicaments that are affecting us all right now.
‘Growing Pains‘ from Perth, Western Australia-based indie singer-songwriter Siobhan Cotchin is such a superbly introspective song from a young woman who is taking time out to work out who she really is. Her vocals are pleasing on the earlobes and her lyrics are sharp and bring you deep inside her life, as she tells us exactly what is going on.
With a tremendously understandable outlook from someone who feels deeper than most – this is a reflective release of the highest standard – from a gifted artist who knows what she needs to do next after this time to build up her armour for the battles ahead.
Listen up to this wonderfully honest single on Spotify and see more on her IG.
Taken from their debut EP, Open, the Milk Bar Gang’s standout single, Ozzie Ostriches Dream, is an ethereal lullaby; constructed to subdue you into an art-pop trance.
Any fans of Nico, PJ Harvey and Suicide will find just as much to favour in Ozzie Ostriches Dream, which wears influence from the 80s new wave, shoegaze, and cosmic pop as motifs affixed to the sheer originality that has been soporifically poured into this feat of transcendent avant-garde alchemy.
The reverb on the whispered vocals, the ring of the delayed guitars and the glassy aesthetic of the track all contribute to the intricately distinctive appeal that is sure to see the duo go far in 2022 and beyond.
Ozzie Ostriches Dream is now available to stream and purchase on Bandcamp.
After sending our vibrations racing uncontrollably with their previous single ‘Visions‘, Mass Experience is at their electrically vaulted radiant best on their latest single, ‘Pleasure and Purge‘.
Mass Experience is a sensationally stimulating Sydney, Australia-based electronic house duo that has recently signed an incredible multi-album deal with Universal Music Group, InGrooves, and WorldSound.
”Pairing early 90s rave, indie-electronica and 60s inspired psychedelia, Mass Experience comes out of a desire to keep people of all ages and backgrounds inspired.” ~ Mass Experience
Guiding us towards the light that shall clean your skin from all its contamination, Mass Experience is rather elegantly brilliant and shows us what a special sounding song really should feel like.
‘’The one thing that’s gotten me through the hardest moments of my life has been honesty. As dark as the purge of awfulness was, I stuck to the philosophy that all I could be was honest. I only took on creative work where I felt safe…whenever I release new music something amazing happens in my life, so I’m very excited to release this album ‘Pleasure And Purge’ because it has some beautiful healing tracks on it.” ~ Mass Experience
‘Pleasure and Purge‘ from Sydney, Australia-based electronic house duo Mass Experience is a spiritually enlightening track that shall fascinate the fantasy inside the deepest part of your soul, and take you into a whole new world. The vocals here are crisp and clean with fresh energies to lather into, with a breathtaking beat that might have you grasping for that asthma pump so you can carry on dancing all night.
Showing their illustrious supremacy yet again, this is a sensational song from Mass Experience to tell all your friends about.
Hear this top single on Spotify and see more on their IG page.
Returning after dropping the dynamic breakup fueled single ‘You Only Want Me When I’m Gone‘ from November 2021, Jeffrey Chan shows us that love is still possible if you truly believe in it with an 80’s-type feel to proceedings inside his ‘Vertigo‘.
Jeffrey Chan is a Sydney, Australia-based indie-pop artist who continues to grow and blend in his retro style with his love for expressive lyrics.
“Vertigo is a song that captures the feeling of the euphoric and dizzying highs of falling in love, and how sometimes this love can be almost obsessive, and drive you to do crazy things! This track and the single art is actually inspired by the Hitchcock film of the same name.” ~ Jeffrey Chan
Breathing fresh air into the winds of adoration that can sometimes turn your whole perspective upside-down sometimes, Jeffrey Chan strikes while the fire is hot and leads the way when it comes to seductive pop music in 2022.
‘Vertigo‘ from Sydney, Australia-based indie-pop artist Jeffrey Chan is the type of song that so many humans can certainly relate to. Sung with a passionate vigourousness that shall take you right inside to that picture you want to see with lots of kisses and romance, this is the track to click your whole body into action if you have been slow to make your move.
Sometimes you just need a spark, to see if this romance is actually possible or not.
Sizzle your ears with the song on Spotify and see more on the IG page.