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Soul

Issara can make any house a ‘Home’ with the soul in her latest single

With all the grace and beguile of a chanteuse fused with a retro soul aesthetic, the up-and-coming singer-songwriter Issara can make any house a ‘Home’ with her latest single, which offers a sanctuary of sound for anyone in search of solace.

By lyrically painting a protagonist who tends to the universal yet unseen needs that we all silently crave, Issara burned bright in the consoling warmth of the vignette of unconditional affection, which spins a narrative with threads of deep-rooted connection and understanding.

Home is a homage to the concept that home transcends physical spaces, echoing Issara’s journey across continents, and encapsulating the essence that home is indeed where the heart resides.

The production is steeped in a lush retro aesthetic, where the luminous timbres of the organ interlace with Issara’s vocals to create an ambience that is both comforting and soul-stirring. The hues of gospel spilling from the arrangement are a nod to her American church roots, bringing forth a nostalgic yet timeless quality that grips the listener’s soul. This track is not just heard; it’s felt, ensuring that by the outro, one’s soul is thoroughly sated.

With an ability to blend soul, pop, rock, gospel, French yéyé, and Thai funk, Issara has created a sound that is as diverse as her heritage. The song is a promise of what is to come from her upcoming debut album ‘222’, set for release on the befitting date of February 22, 2024.

As a mother of two and a beacon for late bloomers in the arts, Issara’s voice transcends mere melody to become a vessel of inspiration, encouraging others to find their place of belonging, their ‘home’, in whatever form it may take.

Home was officially released on November 17; stream it on Spotify.

Review by Amelia Vandergast

Matt Brown will etch his way into your consciousness with his latest soul pop serenade, Everyday

Matt Brown’s neo-pop single Everyday is a soulful serenade that lingers long after the last note has faded. This contemporary crooner’s offering etches upon the listener’s consciousness with a calligraphic eloquence scarcely seen in the internet era of music as the euphonic depth of the production swells with oceanic propensities; each wave of sound carrying with it a quiescent surge of sweet beguile.

Everyday stands as a testament to the potency of razor-sharp songwriting chops as Brown’s musicality and craftsmanship are undeniably exhibited to showcase a command of sonic storytelling which captures the complexities of passion and how it can weigh heavy on the soul.

As the founder of the Soulfam Collective and a full-time musician, Matt Brown’s fluency across various instruments and styles imbues his music with an uninhibited expression; rather than marring his sound with loyalty to one genre, he teases a smorgasbord of style into his sound.

Everyday confirms Matt Brown’s place in the pantheon of artists who are not just creating music but are also moulding experiences for their listeners. With each release, including this latest gem, Brown continues to grow his presence and influence, becoming a staple in the spaces where soul and contemporary pop converge.

Everyday hit the airwaves on November 17: stream it on Spotify.

Review by Amelia Vandergast

Joseph Trem explored the darkness the mind can conjure while creating a moment of connection in ‘Ruminations’

Joseph Trem’s latest single, Ruminations, is a masterful exploration of the darkness the human psyche can harbour, delving deep into the agonising feeling of invisibility and the fear that even if you were to fade away into less than a spectre, your absence wouldn’t be noted nevertheless mourned.

The heart-wrenching reality of feeling worthless is a sentiment that, unfortunately, is all too universal for people battling with depression. Trem did so much more than vent his emotions with Ruminations; he extended validation to anyone who can relate. To amplify the earnest sincerity of the release, the track is anchored by striking piano keys, each note resonating with a sense of pensiveness around his rich and emotive voice which weaves through melodies to draw listeners into an exposition of vulnerable introspection.

The moment of connection within Ruminations positions Joseph Trem as one of the most promising names on the indie-pop scene. His sound, reminiscent of John Legend in ‘All of Me,’ is both haunting and beautiful, filled with a raw honesty that is rare in today’s music landscape. As we look towards 2024, Trem is undoubtedly an artist to watch.

The official lyric video for Ruminations premiered on November 17; watch it on YouTube.

Review by Amelia Vandergast

Visit ‘Valencia’ Via the Neo-Jazz Pop Grooves in George Bone’s Evocative Masterpiece of a Solo Release

George Bone stripped everything back but the soul in his latest single, Valencia, which encompasses the 00s indie pop aesthetic while pushing it forward with the ardency in the wistful yearning, the colour in the neo-jazz pop grooves, and the instrumental sparsity which ensures every instrumental works with a singular agenda to amplify the disarming effect of the emotionally raw ballad.

Valencia is the first single released by the Essex-based evocateur after stepping off his tour with The Voice UK 2019 winner Molly Hocking. If Bruno Major and Conor Albert heavily feature on your playlists, you’ll easily find space for George Bone’s sonic signature, which scribes itself through emotionally provoking lyricism and easy-listening melodies.

George Bone Said:

“Eponymously named after the city it takes inspiration from, Valencia transports listeners on a Mediterranean journey of both loving and longing. It encapsulates the joys of travelling with ‘The One’ – summoning wonder, happiness, and the connections you feel rarely in a lifetime – and yet the wishful thinking of those who know that ‘drinking wine and [hearing] the breaking of the tide’ is only a feeling experienced in imagination. The song represents a bond in a relationship, where memories – both good and bad – are intertwined; where hopes and dreams are dashed and made; and where love is lost and found.”

Valencia will hit the airwaves on November 24; stream it on SoundCloud.

Review by Amelia Vandergast

The soulfully-funked hues in Jeremy Hilliard’s single Lay Down Like Lovers captured the haze of utopic affection.

Taken from his LP, which is rooted in swathes of nostalgic funk and soul, Trouble for Another Day, singer-songwriter, Jeremy Hilliard’s standout folky neo-jazz pop single, Lay Down Like Lovers, is a fitting ode to the serenity of passion. The dreamy hues capture the haze of unconditionally all-consuming love as the groove pockets deliver oceanic depth, ensuring Lay Down Like Lovers is a release you can fully immerse yourself in.

If you can’t get enough of the lyrically driven song-crafting finesse of Paul Simon, Kurt Vile, Neil Young and Bob Dylan, you will be instantly enamoured with the poetically mellifluous beguile within Lay Down Like Lovers, which is hopefully the first of many hits from the Brooklyn-based singer-songwriter, who is coming into his own away from his successful band, PEAK, which has made America’s Northeast their touring circuit.

Stream Lay Down Like Lovers on Spotify and Bandcamp.

Review by Amelia Vandergast

Susan Ritchie lit a beacon of tranquillity and wisdom in ‘It’s High Time’

Susan Ritchie, whose name has become synonymous with authentic artistry on the Central CA Coast, lit a beacon of tranquillity and wisdom in the standout single, It’s High Time, taken from her debut album, Life is for the Living. So much more than solely a musical score, it’s a journey into the heart of what it means to find peace and meaning amidst the chaos of modernity.

Ritchie gave the adage ‘live and let live’ brand-new potency within It’s High Time by speaking chapter and verse on how it takes nothing to accept trans men and women who are just looking to align their minds with their appearance. Her ability to weave everyday experiences into her songwriting, while giving a nod to the universal experiences we all share, is on full display here. The song is a reminder to pause, reflect, and embrace the moment, a message that resonates now more than ever when it is too easy to be consumed by the insanity which breeds on every corner of the internet.

The influence of her early inspirations, from James Taylor’s finger-picking to the sweet yet sassy blues of Bonnie Raitt, is evident in the song’s composition. Yet, It’s High Time is unmistakably a Susan Ritchie creation. It’s a song that showcases her evolution as an artist, blending soul, blues, rock, and folk into a seamless and captivating experience.

Regardless of how many people find comfort in Susan Ritchie’s soulfully sonorous sound, she speaks directly to you through the intimacy of her lyrics and the magnetically powerful delivery of her gilded-in-introspective-gold lines.

Stream It’s High Time on Spotify now.

Review by Amelia Vandergast

Pump Action gave soul a potent shot of style in their alt-rock single, Blood Thinner

For their latest release, Blood Thinner, Nashville’s most dynamic alt-rock outfit, Pump Action, synthesised a cultivated-in-emotional-resonance soul-infused blend of rock, funk, and blues.

By anchoring the track in the traditions of songwriting, following the grooves into evocative territory and juxtaposing their old-school song crafting with freshly envisioned sonic style, the quartet, which came to be in the practice rooms of the University of Miami’s Frost School of Music established itself as one to watch.

After a stripped-back intro which gives the John Mayer-esque vocals plenty of room to breathe, the instrumental layers start to intricately interweave to deliver a progressively compelling testament to their naturally rhythmic talents. By never letting the introspective poetry within the ode of unfaltering passion become overshadowed by the tight driving force in the rhythm section, Pump Action became unequivocally worthy of placement on your playlists next to Allen Stone, Fleet Foxes, and Polyphia

Blood Thinner was officially released on November 10th; stream it on Spotify.

Review by Amelia Vandergast

Nyasia Chane’l narrated a story of love and longing in her latest Neo-Hip-Hop-Soul release, Rain

Nyasia Chane'l

“Rain” by Nyasia Chane’l transcends your archetypal RnB track to narrate a profound lesson in seduction and soul. The trappy backbeat and tinges of 80s nostalgia create a beguiling blend of modern rhythmics and caressive old-school style as Chane’l’s honeyed vocal lines glide over the equally as smooth instrumental layers with a grace which is as powerful as it is tender to embody the track’s theme of deep, yearning lust.

Drawing inspiration from the likes of SWV, Ashanti, and New Edition, Nyasia has created a song that stands tall among classic elemental love songs. Co-written with the talents of Dajour Neufville and Jayson “J-Didda” Butler, “Rain” captures the essence of longing and connection in a way that feels both timeless and irresistibly new. It is guaranteed to strike a chord with anyone with a pulse and libido.

Nyasia Chane’l, with her multifaceted talents in singing, songwriting, and acting, emerges as an essential artist in today’s musical landscape. Her Neo-Hip-Hop Soul signature is one that any RnB fans will want perpetually etched in their memory.

Listen to Rain on Tidal and Spotify.

Review by Amelia Vandergast

Let your body and soul talk with ANYAH’s latest RnB single, Last Night

ANYAH’s latest single, Last Night, is a testament to her ability when it comes to redefining the RnB genre with her sultry, multi-layered style that effortlessly intertwines the smooth, nostalgic vibes of old-school RnB with a vibrant Latino pop flair. Her Fil-Am heritage brings an intoxicating diversity to the track which echoes the soulful depths of Aaliyah, the raw emotion of Ashanti, and the rhythmic prowess of Janet Jackson, and transcends mere mimicry.

Educated in the performing arts, the singer-songwriter’s academic prowess shines through in her meticulous craft. Her multilingual vocal ability, spanning German, Italian, French, and Russian, adds a cosmopolitan monocultural mould-smashing sheen to her music, which goes a fair way in enhancing the emotional resonance and appeal of her work. Her background in dance manifests in the rhythmic pulse of Last Night, which guides the listener’s body and heart through a smooth narrative.

The single’s outro is a clever subversion, revealing the entire emotional journey the single took you on to be a voicemail, a twist that lingers in the mind long after the song ends. It is safe to say ANYAH is painting herself as one of the most promising artists in Orlando’s music scene, not just through her music but through her impressive and well-rounded artistry that promises even more depth and surprises in the future.

Review by Amelia Vandergast

You will want Doller on speed dial after feeling the heat of the fusionist fire in his EP, Call Me

On November 3rd, UK’s fieriest genre fusionist Doller dropped his dynamic three-track EP, Call Me, to prove he’s lost none of the flair, flow, or finesse that has seen his audience stretch across the globe during his storming 15-year music career.

After track one unravels as an infectiously hooked garage hip-hop anthem, which efficaciously gets you in the groove and hot under the collar, Doller dips into a pseudo-trap iteration of dancehall before bringing in a smooth and steamy session of trap-soul. Achieving that feat of sonic eclecticism with three separate tracks would be one thing, but Doller exhibited his superlative versatility by reworking the same track while ensuring that each track stands by the volition of its own merit.

From the luxe high vibes that reverberate around the rhythmically arresting first single, which features MC Neat and Zara W, to the scintillating atmosphere in track two to the wavy, dreamy tonal hues within track three, which pays an intimate ode to intimacy with a little help from Aleisha Lee and Terry Trill, there’s something for everyone in the Call Me EP, which has established Doller as the baller of originality.

Before the release of Call Me, the Edmonton-originating artist who was born the roots reggae icon Kush Tafari and shares blood with the Jamaican rapper Flash earned endorsements from the likes of Ghetts, Tion Wayne, DJ Target, Charlie Sloth, Sian Anderson, Sir Spyro, Wiley, and Logan Sama. His music has also been synced into an MTV Base advert and the critically acclaimed film Sket. Over the years, he’s flitted between rap, dancehall, and trap-soul as his musical influences diversified. If one thing has remained a constant, it is the renown that has stemmed from his versatile style and impressive lyrical prowess. While some artists out there gas themselves up as a triple threat, Doller is asserting himself as the ultimate threat and one to watch throughout 2024.

Stream the Call Me EP on Spotify & SoundCloud.

Follow Doller on Facebook & Instagram.

Review by Amelia Vandergast