Browsing Tag

San Diego

Submerged in Sonic Turmoil: Microplanet’s ‘Painsucker’ is A Grungy Art-Rock Odyssey from Euphony to Agony

Indie art-rock was dragged under a riptide of grungy distortion in the standout single, Painsucker, from Microplanet’s sophomore LP, Submerge. After an intro of euphonically simple guitar chords, Thom Yorke-esque falsetto vocal lines, and tender lyricism, Painsucker quickly descends into a tumultuous onslaught of scuzzed-up rancour to mirror the lyrical transition into self-defecation.

It’s a compelling exposition of how quickly the mind can contort into dark corridors of despair, with the instrumentals exemplifying the agony the mind can inflict upon itself. The seminal release is also a reflection of the expressive talents of the San Diego-hailing band fronted by the multi-instrumentalist, Nathan Wilson. Their unparalleled ability to take personal antagonism and metamorph it into a universal reflection of the human condition via an intimate self-recorded lo-fi production will undoubtedly see Microplanet go far.

Stream Painsucker on Spotify.

Review by Amelia Vandergast

Fatmowf created an odyssey of romantically die-hard soul-pop fantasy with ‘Imaginary Lover’

Get lost in the romantically die-hard soul-pop odyssey, Imaginary Lover, from the up-and-coming San Diego artist Fatmowf, who established himself as a rap artist before wearing his heart on his hazy RnB vocal lines in this pastel-hued daydream of a release.

Just as we constructed imaginary friends in childhood, who helped us to feel more assured and connected in an alienating world, the tendency to create idealised romantic relationships as our needs become more amorous is more prevalent than we acknowledge.

Who can truly say that the mere idea of someone has never created an obsessive tailspin that becomes all-consuming as a perfect future is depicted while the other person is completely unaware that they’re the co-creator of your sticky-sweet fantasies that will never materialise?

We’ve all been there, and we’ve all dealt with the subsequent disappointment when we note the disparity between idealism and realism. Fatmowf is just in the minority of people willing to admit it. The breezy indie R&B euphonic melodicism of the track is just the added bonus to his vulnerably magnetic candour. Ironically, we are now obsessed.

In his own words:

“I made the song after I met this girl at Starbucks. I got her phone number and started daydreaming about her…. a lot. Probably way too fucking much to be honest. But I did. And the crazy part was I barely even knew her! I knew her name, what she did for work (obviously) and the fact that she likes cats. She could have been a serial killer for all I knew but I was so attracted to her. Wrong, I was attracted to the idea of her, and the person I wanted her to be…”

Check out the official video for Imaginary Lover, which premiered on July 7th on YouTube.

Review by Amelia Vandergast

On a Hill: Highline Trail pays the price on that warm summer evening on The Pressed Man

Known best for their award-nominated track from 2022 Emmie, Highline Trail hikes up the torturous mountain and shows us their impressive progression with the top new single to sing with on loud, The Pressed Man.

Highline Trail is a San Diego, California-based indie folk-rock band that fuses infectious soul and funky harmonies which might put all listeners into a trance-like state.

With a hugely extraordinary anthem to forge communities together, Highline Trail looks toward the top of the cliff and has a style that will shake the trees and bellow briskly a message to savour.

The Pressed Man from San Diego, California-based indie folk-rock act Highline Trail is a cinematic experience which takes us into a different world and embraces an old-school mentality. There are so many aspects to love about this fine release, which might put shivers down the spine of all eager listeners.

If you like music with a hauntingly exquisite aura, this is a song like no other.

Listen up on Spotify.

Find out more on IG.

Reviewed by Llewelyn Screen

Your presence is costing me: Kiana Flowers is in no mood to have her valuable time wasted by clowns on Get To The Money

Sensing like love is a curse for her right now as she looks for a business model which will give her everything she ever wanted, Kiana Flowers drops a cash-filled track to sizzle up the sauces to gaining so much more than wack minimum wage on Get To The Money.

Kiana Flowers aka Mary Kiana Strayhorn is a San Diego, California-born indie hip-hop artist who grew up in Indy and has a self-motivated attitude which will calm the minds of those who are looking for something real.

Slicing away the nonsense like an angry butcher, Kiana Flowers lets it be known that she understands her value. Sick of big stories and even larger lame egos, she breaks away from anyone who has dodgy energy and races towards the bag instead.

Get To The Money from the motivated Indy-based indie rapper Kiana Flowers is a spirited soundtrack to encourage those who needed a reality check in finance building. Rapped hard and with purpose, we are shown the way through the vault door and away from Brokesville. Brilliant stuff really. An underground rap song at its purest.

Hear this fine single on YouTube.

See her growth on IG.

Reviewed by Llewelyn Screen

Interview: Cheyenne Benton tells us more about her exquisitely Beautiful Chaos

Telling us more about upcoming shows and all the hard work and dedication required to be one of the best around, Cheyenne Benton leads us into her Beautiful Chaos and delivers with one of the most honest interviews we’ve covered so far in 2023. Featuring stress baths, the anarchic nature of the process and how it all started in 2019, this is a brutally eye-opening interview to bookmark forever.

Hi Cheyenne, goodness me we’re so happy to chat with you. How have you been coping with life and how do you usually start your day?

Thanks for having me – I’m grateful to have the opportunity to chat with you! That’s quite an interesting question – how I’ve been coping with life… with bi-weekly therapy sessions, writing new music, and stress baths. My mornings typically begin with being awoken by a boisterous vocal performance from my orange cat, Pony. I suppose lead singer disorder runs in the family.

Please tell us all about the creative process and vision behind your new album Beautiful Chaos.

The creative process was about as anarchic as the album title, if I’m being brutally honest. The ideas for this album came about in early 2019, I knew that I wanted to produce the record myself and I wanted to thematically explore the challenges I was facing at the time – unpacking heartbreak, existentialism, substance abuse, mental illness, self-discovery, and what it means to be a young woman in the western world. The record was tremendously crucial for me in that sense – the entire project itself was self-exploration for me, not only as an artist, producer, writer, and musician – but as a person.
If you listen to this album front to back, it tells the story – the journey from codependence to independence. It’s about everything you lose along the way, and everything you gain when you find the courage to let it go. Sonically, I wanted to explore different micing techniques, different musical influences, different creative ideas – so it really is a melting pot of everything I learned during my time in school for audio engineering, blended with what I was listening to heavily at the time and this new version of myself (both in my artistic life and personal life) I was trying to create.

We love live shows! What do you have cooking for June 1st, June 8th and June 13th for us all to get excited about?

We’re performing the full Beautiful Chaos Live set for the first time! This is a show my band and I have been working hard to perfect, and we are excited to bring these songs to life on stage in a live setting.

We are opening for the band Cub Sport on June 1st at the Casbah (7:30pm), and June 8th at the Del Mar Fairgrounds on the Garden Stage (9pm). Both of these are San Diego shows.
We’ll also be performing as a stripped-back acoustic trio on June 13th at the Hotel Cafe as a part of the Writer’s Block Showcase (8pm) in Los Angeles.

Best piece of advice you’ve ever received?

Back when I used to perform in musical theater as a teenager, I remember one of my directors speaking to the cast at the time and sharing this word of advice – it doesn’t matter if it’s before, during, or after you exit that stage – you are always auditioning.
That has stuck with me and served me in so many ways throughout the years. I think a lot of people, especially in the music industry, forget that others are impacted by your words and actions – both in and out of the studio, on and off the stage. You’re constantly being observed and studied, often by people you don’t even know. So say what you mean, treat people with kindness, and just be aware that whatever you say and do in the dark will eventually be brought to light. If you can’t defend your behavior when the spotlight is on you – maybe there’s character work to be done, maybe it’s time to look inward.

I’m currently 42 and can’t imagine what it’s like being a 20-something inside this confusing world with so much potential. What feelings have been most abundant lately would you say?

I really have been enveloped in an all-consuming rage. Sometimes it’s quiet, and sometimes it’s loud. But it’s pervasive and ever-present. There is an abundance of potential, but also an abundance of injustice that I’ve felt on a universal level, but more recently in ways that have impacted me personally – ways that have been intrusive to my sense of self, my womanhood, and my peace. It’s a bit of a pendulum swing between succumbing to absolute nihilism and working on what is in my control – to be the change the world needs right now.

Where are you based and how is the local music scene in your area?

I’m based in San Diego, California. The music scene is dominated pretty heavily by bands with a lot of hard rock influence, which is neat. I don’t always feel as though I fit in as the feminine indie pop, synth pop, alt rock, flowery little gremlin I am, though. However, this past year or so I’ve felt more embraced by the community than I have in previous years – getting to perform at some really cool venues and even earning a San Diego Music Award nomination for Best R&B, Funk or Soul Song. I appreciate the niche following I am building here, and the local industry veterans who are willing to give my music a listen and a platform.

Last, what are the goals for the foreseeable future and where do you see your sound headed in the next few years?

I’m already underway on my next project – which I can only describe as caustic, scathing, and sardonic. I’m looking forward to leaning into more unpleasant feelings I’ve shied away from sharing in my music. I think I have this habit of always trying to look for the good. I think sometimes, it’s okay to admit that a situation was harmful – it doesn’t have to be wrapped up in a positive bow. I’m excited to embrace that, both lyrically and sonically in this next chapter – and eager for you to hear it.

Listen up and educate the soul on Spotify.

Interview by Llewelyn Screen

Fearless San Diego DJ Erick Diaz drops thrilling 2nd single Closer to Love

After previously spending a year in silence so that he could fully comprehend the power and beauty of a whisper, Erick Diaz thunders in with an emphatic performance to summon all energies back into the light on Closer to Love.

Erick Diaz is an experienced San Diego-based DJ, art director and music producer who is also a much-respected poet, artist and music philosopher.

A veteran DJ of many years, Diaz has shared stages with top DJs and producers of the present and past from Duke Dumont to Test and many more.” ~ Erick Diaz

Replenishing our ears with a new direction from his previous work, Erick Diaz kicks sleepy speakers back into shape and shall create a dynamic spirit within us all. Goodness me this is good. Really good.

Closer to Love from the San Diego-based multi-skilled music maestro Erick Diaz is a seriously fine tune to soak up rather radiantly and with that extra passion needed. Soaked with smooth vocals and taking us back to that first meeting when everything is so new and loving, we find a stunning song to treasure forever and forever.

When there are no fake games, true love is actually possible after all.

Turn this up on Spotify.

Reviewed by Llewelyn Screen

Get your body beat to the blistering hot deep house drop from Freshcobar & Lavelle Dupree, ‘Story of My Life’.

https://soundcloud.com/nosrecordings/sets/freshcobar-lavelle-dupree-story-of-my-life-for-pr-use-only/s-0L2rxpLPmKA?si=a84680ea36c34967aa2c4e9dedb02172&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

It may be too early to call the deep house drop of the year, but Freschobar & Lavell Dupree set the bar euphorically high with their body rocker of a bass-drenched earworm, Story of My Life.

Deep House hits that allow the lyrics to bite as hard as the beats are few and far between; clearly, the San Diego DJs and producers Freschobar and Lavelle Dupree sharpened their lyrical teeth before making a meal out of the radio-ready edit and the extended mix.

Prior to producing the cuttingly contemporary track, the two artists who have become staples in the San Diego scene have toured the world, tearing up stages between stamping their passports. We can’t wait to see where they take their dynamic collaboration next.

Story of My Life will officially release via the San Diego label, No Ones Safe (NOS), on March 3rd; check it out here.

Review by Amelia Vandergast

Mike Wilkins delivered riff-driven vindication in his latest hard-rock hit, STRANDED

San Diego-hailing guitarist, vocalist and songwriter Mike Wilkins is back on fervid form with his latest hard rock hit, STRANDED, inspired by the cathartic freedom of cutting toxic ties.

It is a sure-fire hit of vindication for anyone who has had to disconnect from negative bonds. For people who need a little extra convincing to step into their own light away from the shadow of insidious others, the face-melting riffs, reminiscent of the ones carved by Glenn Tipton, George Lynch, and Phil Collen, will give you a positive shove forward with the force of a juggernaut.

With hints of 80s hair metal in the riff-driven hit, the choruses are easy to get caught up within, while the monolithic breakdowns crafted by the one-man powerhouse, who has previously worked with Tim Owens (Judas Priest), bind you even more tightly into this breakneck helter-skelter ride through virtuoso-level talent and relatable emotion.

The official video for STRANDED is now available to stream on YouTube.

Review by Amelia Vandergast

 

A Beautiful Glitch on the Radar of SoCal

Imagine you’ve got the innovation of Richard James (Aphex Twin) mixed with the Latin American flavor of Ozomatli and you’ve got a little bit of an idea for the sound of Teratoma Girls. A duo from Southern California and alumni of UCSD, Erin Jimenez and Nia Camacho respectively; they bring a mix of Mexican styles to EDM in a way that is gritty, at times noisey, but always energetic.

Their track “Permaculture20K” is largely remixes of other artists but done in a kind-of-collage-meets-mixed-media way. It begins with the standard fiesta announcer, the sort of thing you’d hear in a family-owned Mexican restaurant which caters to Mexican clientele, before moving into a grimy, stylish/stuttering glitch-fest (or maybe I should say “glitch fiesta”). It’s just great, the way these two beat juggle between drawn out triplet figures, static replacing snare sounds, and of course the migration of one track to another. “Permaculture20K” clocks in at about 50 minutes, so it’s ideal for a house party-ready track.

Sadly, Teratoma Girls’ Instagram is scant, currently only featuring the album cover for the aforementioned track. I’m sure most of the readers would love to get an idea of how these creative young ladies look, but as someone who has built a business from the ground up, I know very well how long the “to-do” list gets for media and advertising.

The Alt-90s Cinematically Lives and Breathes Through Agent Envy’s Grungy Industrial Rock Single, No Friend

San Diego artist and producer Agent Envy is fresh from the release of her sultrily fierce single, No Friend, which cinematically amalgamates trip-hop, industrial rock, grunge and metal. Under the wide-spanning influence of acts including NIN, Tool, Massive Attack and Deftones, Agent Envy found her own striking sonic aesthetic that is nothing short of iconic in itself.

Any fans of Warpaint and Wolf Alice will want to sink their teeth into this demurely powerful protest against life’s prolific protagonists who guise their usury entitlement as friendship to take what they can, and guilt trip you when they’ve bled you dry of your empathy but still haven’t quite had their fill.

“No Friend is about finally saying, “enough is enough,” and captures the triumph and catharsis of setting a boundary. The track explores a powerful side of my vocal range not previously featured in my earlier songs, along with the deep, sultry vocals that my audience is familiar with.”

No Friend will be available to stream and purchase on all major platforms from December 9th. Catch in on Spotify & YouTube.

Review by Amelia Vandergast