Browsing Tag

post rock

Dying Habit hit an evocative homerun with their hard-rock exposition on the complexity of the unconscious psyche in their latest single, Celestial

Posted on 13 March 2024

Dying Habit’s latest single, ‘Celestial’, from their upcoming LP ‘The Chaos of Silence‘, injects nuanced 90s Britpop sensibilities into the artful beguile of post-rock and the rancour of hard rock. Every night, our heads hit the pillows without questioning what we’re surrendering to; after the unveiling of this exposition on the complexity of the unconscious psyche, we may never think of the nocturnal ritual in the same way.

The Anglesey-based quartet, led by the emotive vocals of Nathan Jones, are palpably in their introspectively cerebral element with Celestial. After a saturated in delay intro, the grungy melody subtly nods to the likes of the Happy Mondays, setting a nostalgic tone, filtered through an innovative lens. As the track progresses, it transforms into a melodic hard-rock juggernaut, showcasing the band’s ability to seamlessly shift gears without losing the essence of their sound.

The guitar work is nothing short of chameleonic. From the angular, cold tones to the overdriven warmth, the guitar lines are a journey in themselves, perfectly complementing the dynamic range of Nathan’s vocals. The rhythm section, with Mark Jones on drums and Daniel Garner on bass, provides a solid backbone, ensuring that the track’s energy remains high without overshadowing its melodic core.

With ‘Celestial’, Dying Habit has not only hit an evocative home run but also set a high bar for their upcoming album. The track is a testament to the band’s growth and their ability to craft songs that are both intellectually stimulating and viscerally powerful.

Celestial was officially released on March 1st; stream the single on SoundCloud.

Review by Amelia Vandergast

Nim – Avalon: An Expansively Intimate Exploration of Dystopic Ennui

Posted on 12 March 2024

Nim’s latest single, ‘Avalon’, is a testament to his evolution as a multi-instrumentalist and sound designer. From the outset, the track immerses listeners in a world where ambient electronica melds seamlessly with a cinematic synthesis of post-rock and trip-hop. The minor key arrangement, rich in ambient textures, sets an ethereal yet intensely emotive tone to maintain a melancholic undercurrent without becoming overwrought.

The lush reverb sugars the pill of the dystopic ennui, while the desolation in the vocals is so laden with solitude they feel as if they are reaching out from the vastness of space, seeking connection in their isolation.

Nim’s background as a pianist and singer is evident in the meticulous construction of ‘Avalon’. The track defies easy categorisation, drifting through the realms of post-rock, trip-hop, and ambient IDM with a fluidity that speaks to his versatility. The introduction of a trappy backbeat, both solid and glitchy, adds an unexpected yet mellifluous twist, intensifying the track’s introspective mood.

Hit play and journey through Nim’s dystopian vision, where the feel of the music takes precedence and the haunting exploration of malaise resonates long after the last note fades.

Stream Avalon on Spotify now.

Review by Amelia Vandergast

Bear witness to the Avant-Garde finesse in Sairen’s Branca-esque post-rock instrumental score, Délivrance

Posted on 5 December 2023

The post-rock artist and composer, Sairen, created the embodiment of cinematic tension in his seminal instrumental score, Délivrance. This seven-minute piece flourishes distinctive avant-garde flair, marking it as a standout creation in the realm of modern instrumental music.

The track’s progression is a journey through the artist’s intricate vision, characterised by eloquently moody tones and a sophisticated use of musical elements. Sairen’s expertise in blending diverse musical influences is evident here. From the harbingering guitars that siren through the track to the tenaciously placed cymbal crashes, each element is carefully crafted to contribute to the overall narrative of the piece.

One of the most striking features of “Délivrance” is the introduction of chamber strings, which seamlessly complement the sonic spectacle of the crescendos. This inclusion not only enhances the track’s emotional depth but also showcases Sairen’s ability to fuse classical sensibilities with modern post-rock aesthetics.

The middle-eight of the track is particularly noteworthy. Centred around the motif of a ticking clock, it builds a palpable sense of drama, leading to a break into an arcanely all-consuming sequence that can only be described as filmic ingenuity. This segment demonstrates a touch of Glenn Branca in its composition, highlighting Sairen’s skill in creating complex, layered soundscapes.

Sairen’s background, with his early introduction to music and his affinity for baroque, romantic, dark metal, and post-rock, shines through in this creation. He bridges these seemingly opposite genres, crafting a unique sound that is both haunting and enchanting.

Délivrance was officially released on November 7th; stream it on SoundCloud.

Review by Amelia Vandergast

Days got dark, Nostra got darker with the brutalist aesthetics in their latest post-metal single, Delta

Posted on 9 October 2023
Sea of Fertility by Nostra

The Latvian-French trio Nostra, which has been harbingering doom in the aesthetics of their post-Soviet brutalist tracks since 2016, rode a cataclysmically cold wave in the standout single, Delta, prised from their forthcoming album, Sea of Fertility.

Buzzsaw riffs and cuttingly angular syncopated guitars tear their way through the glacial climate of the instrumental piece as the postmodernist production plays devil’s advocate with doomy elements of post-rock and post-metal.

The causticness of the artful industrialist rancour feeds off the expressively melodic time signatures to deliver a sonic landscape which holds no prisoners while leaving your rhythmic pulses attuned to the visceral virtuosity of the power trio, which has everything it takes to stand at the vanguard of the new wave post-rock movement. As days get dark, Nostra is only going to get darker to signify the desolation of our times.

Head over to Bandcamp to stream Delta and pre-order the upcoming LP, Sea of Fertility.

Review by Amelia Vandergast

Adelaide’s hottest post-grunge pioneers, The Yellow Wallpaper, prescribed volatile vindication in the chaos of their sophomore single, Run Your Mouth

Posted on 28 September 2023

The Yellow Wallpaper made an eternal impression with their debut single, Tell Me to Beg; their spiky attitude punctuated the ensnaring sphere of artful alt-rock, but that was nothing compared to the volition that went into as much overdrive as the guitars in their sophomore single, Run Your Mouth.

Veering more towards the 90s Seattle sound but still sinking their teeth into post-rock production styles, Run Your Mouth is a kaleidoscopic vortex of vindication. In a time when it feels like there’s a cacophony of vacuous contempt at every turn, every bark is worse than the bite and every bitch is in heat, sinking into the single, which delivers an exposition of the shallowness of the hypocrisy of public perception and the psychological effects, is as close to utopia as our dystopic epoch will allow.

Following the sold-out launch show of their debut single in mid-2023, the band is priming to do it all again by launching the single to their hometown crowd in Adelaide.

Run Your Mouth was officially released on September 22nd; stream it on Spotify.

Review by Amelia Vandergast

Seattle’s Christian Rock Reverend Ryan Graves Used His Credence to Create an Electrifying Alt-Rock Hit with ‘Enemy’

Posted on 23 September 2023

Impressively, Ryan Graves is fresh from the release of his second LP of 2023; far from new to the game, he became an integral part of Seattle’s Christian alt-rock scene in the 90s; with his latest album, Human, which stands up to the cataclysmic threat of AI, Graves definitively proved that he can still hit the high-fire mark.

With a rap-rock edge that is just as sharp as the ones carved by The Beastie Boys in the verses of the standout single, Enemy, and classic rock credence making its way into the choruses, it is an electrifyingly hair-raising hit that mainlines the adrenaline through the post-rock instrumentals that create a platform for Graves’ piously enlightening vocals.

Graves’ latest album, Human, was officially released on September 11; stream it on Spotify now.

Review by Amelia Vandergast

A Desolate Light printed the ticket to transformation in his alt-rock debut single, Suppressor

Posted on 16 September 2023
Suppressor by A Desolate Light

The Sparks, NV alt-rock artist, A Desolate Light, got his forthcoming debut LP, To Knell and Vanish, off to a scintillating start with the first single released from the concept album, Suppressor.

Starting with the solitary strike of a gong, the spirituality of the release asserts itself from here and unravels further through the Jungian and Zen-inspired lyricism throughout the evocatively high-octane progressions. The instrumentals find themselves in the middle ground between gunge and post-hardcore to stoke the fires of a blazingly hot brand of ingenuity that is uniquely finger-printed to the solo artist.

A Desolate Light is a one-man project fuelled by the enlightened innovation of Sam Spivey (ex-Authmentis); aside from the percussive work, Spivey is putting all the finishing touches on his upcoming 13-track album, which is being fan-funded via his Patreon page and Bandcamp pre-orders of the record.

Suppressor was officially released on September 8th; it is now available to stream and purchase via Bandcamp.

Review by Amelia Vandergast

Twysted is post post-rock in their future-ready electro-rock hit, Out of Yay

Posted on 1 July 2023

For their latest single, Out of Yay, the up-and-coming experimentalist, Twysted put a histrionically spacey spin on electro-rock. The pioneeringly orchestrated hit unravels as a series of curveballs to knock you off kilter with every progression.

If Shinedown collaborated with Skrillex and the two icons of their respective genre added a smorgasbord of theatrical flair to their production styles, the end result would be somewhat akin to the infectious sonic insanity that prevails throughout Out of Yay.

The bass dubs towards the outro are futuristic enough to put Bring Me the Horizon in the same nostalgic league of Guns N Roses, yet, Twysted still found enough room for a few classic rock elements, which resound in the soaringly smooth vocal lines and assuring ring of the acoustic guitars.

Out of Yay will hit all major streaming platforms on July 1st. Hear it on SoundCloud first.

Review by Amelia Vandergast

Eguie5 turned up the heat in the Latin American alternative scene with his solo project debut, One Last Dance

Posted on 19 June 2023

Eguie5 became a conduit of post-rock and pop-punk alchemy in his anthemically hooked debut single, One Last Dance, which efficaciously captures the bitter-sweetness of goodbyes before bringing in the cacophonous drums that pay homage to the superlative skin-beating style of Taylor Hawkins.

After spending two decades cutting his teeth as one half of the alternative duo, TUNNL19, the Puerto Rico singer-songwriter reconnected with his artistic roots via his solo venture, which keeps expressive experimentalism at its core.

The emotively melodic structures in One Last Dance made the heart-in-throat choruses all the more riotous, in the same way Linkin Park allowed their audience to feel the sense of resonant vindication while screaming the reprise of “I’ve given up”, One Last Dance became the silver lining of heartbreak. The atmospherically intuitive hit struck all the right chords to affirm that Eguie5 is a one-man monolith of innovation.

One Last Dance hit the airwaves on June 14th; stream it on Spotify.

Review by Amelia Vandergast

Shift your perceptions in a brighter direction with ORCHAD’s riotously synthy call to arms, DAMAGED GOODS

Posted on 9 June 2023

‘DAMAGED GOODS’ is the latest hyper-cosmic feat of synth-driven alt-rock from Montreal’s most monolithic powerhouse, ORCHAD.

With pinches of pop-punk making the hooks even sharper, this riotous call to arms to everyone who knows how it feels to disregard themselves as broken and too idiosyncratic to love is enough to shift self-perception in a far brighter direction.

The riffs that will make you reminisce about Dragonforce are just a fraction of the hard-hitting impact of DAMAGED GOODS. With an entire generation at risk of being lost to entropy and apathy, ORCHAD delivered an upbeat anthem, fierce enough in its exhilaration to affirm that it is society that is royally fucked, not the people living through the fallout.

If you could imagine what it would sound like if the Black Parade was written today, you will get an idea of the heart-in-throat resonance you will sink your teeth into when you hit play.

“The song is about the struggles and challenges of life and mental illness, including the pressure to conform and fit in with societal norms. It encourages the listener to let go of the expectations that society places on them and to accept themselves for who they are, flaws and all.

We should all focus instead on finding solace through healthy forms of self-expression. Everyone is going through their own struggles and we really are all “damaged goods.” If we focus on loving ourselves first and “dance in the rain” you might just be able to ease the pain.”

DAMAGED GOODS will hit the airwaves on June 9th. Hear it on SoundCloud.

Review by Amelia Vandergast