Browsing Tag

Dinosaur Jr

The Unbranded penned a riotous alt-90s love letter with ‘Novacaine’

Posted on 4 April 2024

If you’ve ever wondered what Dinosaur Jr would sound like with a bigger and louder sonic stature, find the answer in the high-octane riotous love letter to the alt-90s, penned through The Unbranded’s hit single Novacaine.

Once you let the impaled-with pop-punk-hooks earworm in, don’t expect it to depart any time soon. As the kinetically infectious chord progressions subjugate your rhythmic pulses into submission, the augmented-with-charisma vocal lines draw you further into the centre of the frenetic epitome of rebellion which spits in the face of anyone who wants to shunt people who don’t fit the mould of banality to the sidelines.

The track is a clarion call to all the outliers looking for permission to transform their idiosyncrasies into fuel for their empowered fire. Following in the footsteps of the likes of Social Distortion, The Unbranded and their motivation to inject spiritual awakenings into their music are an essential listen; just one hit, and you’ll want to join them at the vanguard as they smash down toxic social constructions.

Novacaine was officially released on March 15; stream the single on all major platforms via this link.

Review by Amelia Vandergast

Rookie – Resolve: A Volition-Charged Resurgence of Emo-Tinged Post-Grunge

Posted on 5 March 2024

Familiar enough to give you a sonic slice of déjà vu, fresh enough to leave you exhilarated by the trailblazingly emo-tinged post-grunge revival, the latest alt-90s single from the Italian renegades of scuzz, Rookie, is an anthem for the ennui-inclined that will leave you inclined to push your speakers to their limits.

Everything about the augmentation of hook-laden lament compels you to feel the full visceral force of the deliciously distorted earworm, which doesn’t just burrow down into your psyche; it bares its teeth and refuses to let go.

Fans of Jawbreaker, The Smashing Pumpkins and Dinosaur Jr won’t want to miss out on Resolve, which was released after a lengthy hiatus Rookie used to hone the volition in their sound. Now that the power trio is back in the studio recording their new EP, SHELTER, with Matteo Tabacco, they’re more than worth a spot on your radar.

Add Resolve to your Spotify playlists.

Review by Amelia Vandergast

The Jesters borrowed from Pavement in their reinvention of the 90s DIY sound in ‘Magnet’

Posted on 31 December 2023

The standout single, Magnet, from The Jesters may have been released in the Summer of 2023, but it is the perfect hit to place on your playlists as we move into the new year with the underpinning themes of pining for personal reinvention that, on some level, we all know we’ll never achieve because the force of our habits is far too strong to resist.

The grungy pop-punk pierced aura of the track, which finds the middle ground between Fidlar, Pavement and Dinosaur Jr, was the perfect atmosphere to pour the self-disdain into to ensure it rings with relatable and rogue down-and-out blues. Veering away from self-pity and right into the inner trappings of the human condition that compels us to tread the hamster wheel as creatures of idiosyncratic convention enabled Magnet to unravel as every antihero’s feel-good hit.

When it comes to reinventing the DIY sounds of the ’80s and ’90s, few do it better than the Philadelphia four-piece, whose sound falls under the new wave retro alt-folk punk banner while spilling out into other nostalgic avenues to lead you to the sounds you adore via a route never taken before.

Magnet is available to stream with the rest of The Jesters’ three-track release, Mental Model, on Spotify.

Review by Amelia Vandergast

The lo-fi sludgy rock raconteur Reel Boy’s sophomore hit Julissa is just like honey

Posted on 30 July 2023

After making himself well known on the Utah touring circuit in the outfits My Dad the Astronaut, MoonSugar, Doll and A 1/2, and Indie Seoul, Jayson HaslamBrock took to the centre stage and went solo in his new alt indie rock project, Reel Boy.

With authentic and intentionally imperfect vocals that will be a hit with Teenage Fanclub and Dinosaur Jr. fans and simple yet hooky pop choruses that transpire after the minimalist chord progressions, his sophomore release, Julissa, is just like honey – literally. The same sweetly sombre textural distortion that made The Jesus and Mary Chain hit so indulgently unforgettable becomes the central gravity in Julissa.

It isn’t your average earworm, but it will stick with you long beyond the outro all the same for Reel Boy’s tenaciously songwriting chops that are sharp enough to seal his illustrious fate in the industry.

Julissa is now available to stream via Spotify and YouTube.

Review by Amelia Vandergast

 

Holy Gloam borrowed from Dinosaur Jr in their melancholic shoegaze serenade, Used for Falling

Posted on 15 July 2023

Making an authentic mark on the Shoegaze landscape where so many chorally dissonant signatures have been scribed is no easy feat; Holy Gloam succeeded all the same with their latest single, Used for Falling.

The vulnerable vocal lines become the soft sonic underbelly of the sludged-to-the-nines single, which uses clamorously effect-laden guitars to visualise the rancorous paths of descent our minds can take us down and sweeten the vocal harmonies in texturally sublime contrast. Sharpening the teeth of the melancholy is lyrical diehard romanticism, which paints a portrait of unconditional affection which distance and disconnection can’t diminish.

With their ability to invite their listeners into such evocatively compelling soundscapes which play the heartstrings as intricately and intimately as the guitars, the North Wales/NW England five-piece clearly have a bright future ahead of them. They have already been making major waves since songwriter Julian Neale founded the outfit in 2021; they’ve become staples in the NW touring circuit and their debut album, Small Nothings, was longlisted by Welsh Music Prize. Watch this space for more major moves from the scintillating evocateurs.

Used for Falling was officially released on July 7th; stream it on Spotify.

Review by Amelia Vandergast

 

snailosaur unveiled grungy indie-rock poetry via their single, Fake Cobblestone Alleys

Posted on 24 April 2023
snailosaur by snailosaur

The Brooklyn, NY brother duo snailosaur showed us exactly how they came about their moniker with the scuzzy Dinosaur Jr. tones and verbiage in their latest indie-rock evocative ride, Fake Cobblestone Alleys.

Reminiscences aside, the spoken word sermonics of the single bleed poetry into exhilarant guitars punctuated by the driving drum fills. Every aspect of the track was superlatively stitched together to become the sum of all its melodically fuzzy parts.

It is worth being part of the disenfranchised down-and-out masses just to tear the honey from this apathetically sweet projection of everyman blues. Snailosaur’s mark has been definitively left on the landscape of grunge via Fake Cobblestone Alleys; it’s a nihilist’s dream come to sonic fruition.

Stream & purchase Fake Cobblestone Alleys on Bandcamp.

Review by Amelia Vandergast

Freak of the Sea provided the ultimate fix of pacifistic solace in his alt-indie anti-gun anthem, The Bullet

Posted on 28 January 2023

It is a disillusioning and confusing era for pacifists to be enveloped in; substantial consolation ebbed and flowed from the Avant-Garde-tinged indie single, The Bullet, from Freak of the Sea (Christopher Jacques).

The anti-gun anthem, which lyrically revolves around the resonant reprise of “I’d rather take a bullet than shoot a gun”, is, unfortunately, a necessity given how we’re numbed to the horrors of gun violence through over-exposure to massacre.

While the guitar melodies run in a crystal-clear vein, dark and torrid effects disrupt the quiescence to a disarmingly conceptual effect. If you could imagine what it would sound like if Modest Mouse drifted into the waters of post-punk, you will get an idea of what the Portland, Oregon-based artist triumphantly achieved with The Bullet.

When Jacques isn’t crafting aural comfort, he runs the Dandy Warhols’ recording studio, The Odditorium. He’s worked with everyone from The Shins to The Dandy Warhols to Slash to Cowboy Junkies and countless other icons of alt music. Yet, notably, his associations are one of the least impressive facets about him.

The Bullet will officially release on January 26th; hear it on YouTube. The new EP, Out to Pasture, which The Bullet was taken from, will drop on February 10th.

Review by Amelia Vandergast

West Ridge Circle – Stuck in This Chair: The Ultimate Off-Kilter Alt-90s Ode to Ennui

Posted on 20 April 2022

Taken from their debut EP, Nobody Home, West Ridge Circle’s standout single, Stuck in This Chair, is an eclectic array of era-spanning rock nuances and modernist lyrical vulnerability.

Fans of Pavement, Pixies and Nirvana will want to drink up the 21st-century melancholy that drips through the lyrics and captures the frustration that lingers in unrelenting ennui. It’s tracks like Stuck in This Chair that prove there’s a beauty in collective misery, that now, we can hear lyrics, and it isn’t an Olympian stretch of the imagination to get on the same level. Granted, that isn’t always a given, but West Ridge Circle are thriving on the funk that is writhing through our existential hive minds.

With the J Mascis-style guitar chops, the despondent Americana blues-rock vocals that come with a tinge of the Seattle alt-90s sound and the eerily relatable lyrics, Stuck in This Chair has all the makings of a melancholy alt-rock playlist staple. We hope there’s another release nestled in the pipeline.

Stuck in This Chair is now available to stream on Spotify.

Review by Amelia Vandergast

Liverpool’s latest luminary, Louie Miles, has released his latest single, Show the World

Posted on 10 December 2021

If Elliott Smith, Dinosaur Jr and the Beatles met in the middle, the sonic result would be starkly reminiscent of Louie Miles’ latest psychedelically warm and hazy single, Show the World. Instead of following the same old tropes with his tracks, he creates songs born entirely of his imagination. Based on Show the World, I would pay hand over fist to take a vacation in his mind. The sweetly psychotropic instrumentals paired with Miles’ magnetic melancholy-tinged vocals is practically an invitation to nirvana.

The Liverpool-based multi-instrumentalist, songwriter and producer made his solo debut in April this year; before that, he contributed to the Birmingham-based band, Sugarthief and Liverpool’s renowned outfit, Astles. At 21-years-old, Louie Miles already boasts the songwriting maturity that other artists have to wait decades for. We can’t wait to hear what follows.

Show the World is available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast

Metrophobia chase ghosts in their Alt-90s inspired single, How Long

Posted on 31 August 2021
https://www.metrophobia.net/pictures/silent_treatment_800.jpg

If Metrophobia’s 2021 debut album, Silent Treatment, was marketed as a lost relic from the alt-90s, I’m fairly sure that no one would raise an eyebrow. The best introduction to their sonic palate that amalgamates shoegaze, noise, indie and grunge is the nostalgically ethereal single, How Long.

Around the catchy hooks, the tender vocals fall into the discord that spills from the scuzzed-up over-driven guitars, allowing you to see a softer side to the discontent How Long was inspired by.

The two forming members of Metrophobia met in Geneva, Switzerland; they worked on various projects together before turning their attention to their bitter-sweet cocktail of alt culture that will be a hit with fans of Pixies, Dinosaur Jr, Teenage Fanclub and Sebadoh.

Metrophobia’s debut album is now available to stream on Spotify.

Review by Amelia Vandergast